Chris-floyd.com Traffic and Demographic Statistics by Quantcast

 

Log in

Forgot Password?

Rankings

Free Press Group Network

Monthly Uniques 3.9K US 5.7K Global

chris-floyd.com

Monthly Uniques 2.8K US 4.0K Global
  •  
  • Quantified

    Directly Measured Data

Chris Floyd is an award-winning American journalist, and author of the book, Empire Burlesque: High Crimes and Low Comedy in the Bush Regime. For more than 11 years he wrote the featured political column, Global Eye, for The Moscow Times and the St. Petersburg Times in Russia. He also served as UK correspondent for Truthout.org, and was an editorial writer for three years for The Bergen Record. His work appears regularly CounterPunch, The Baltimore Chronicle and in translation in the Italian paper, Il Manifesto, and has also been published in such venues as The Nation, the Christian Science Monitor, Columbia Journalism Review, The Ecologist and many others. His articles are also featured regularly on such websites as Information Clearing House, Buzzflash, Bushwatch, LewRockwell.com, Antiwar.com, and many others. His work has been cited in The New York Times, USA Today, the Guardian, the Independent and other major newspapers. Floyd co-founded the blog Empire Burlesque with webmaster Richard Kastelein, who created the site using open-source software. Floyd is also chief editor of Atlantic Free Press, which was founded and designed by Kastelein. Floyd has been a writer and editor for more than 25 years, working in the United States, Great Britain and Russia for various newspapers, magazines, the U.S. government and Oxford University. His career began in the hills and valleys of Tennessee and down in the piney swamps of southern Mississippi, covering moonshine raids, shotgun murders, drug-running evangelists, racial conflicts, the economic ravages of the Reagan Administration, and the relentless, turbulent campaign of the Religious Right to gain political power and cultural dominance throughout the "heartland." He returned to his home ground in the late 1990s, where he won awards for his coverage of a deadly hostage shootout and a bloody melee between county officials ? swapping charges of corruption and adultery ? at a school board meeting. He also won two awards for column writing during his stints on Tennessee papers. Floyd spent several years in the depths of the military-industrial complex, working for a security-restricted federal research laboratory on projects dealing with energy conservation, global warming, space travel, transportation, robotics, artificial intelligence and military logistics. On the side, he published fiction and poetry in small journals and taught Russian literature at the University of Tennessee. Later, he annotated Shakespeare, 19th century British poetry and American literature for a start-up company producing multi-media CD editions of literary works for colleges and schools.In 1994, he made his way to Russia, where he joined the Moscow Times, an English-language daily and one of the first independent newspapers of the post-Soviet period. There he spent two years ? the high casino of the tumultuous Yeltsin era ? and began writing the "Global Eye" column, which he continued after returning to the United States in 1996. He was also the Times' movie reviewer from 1996 to 2000.From 1998 to 2000, Floyd was the editor of Science & Spirit, an Oxford quarterly journal dealing with the contentious relationship between science and religion. His work there included interviews with such thinkers as Richard Dawkins, Daniel Dennett, Steven Pinker, Frans de Waal, V.S. Ramachandran and others. He also worked with contributors from around the world ? Islamic scientists, Jewish theologians, militant atheists, Nobel Prize-winning physicists, and authors such as Freeman Dyson, Paul Davies, Lisa Jardine, A.N. Wilson, John Polkinghorne and others. Since 2000, Floyd has worked as a freelance journalist and as a writer and researcher for Oxford University. His story, "Into the Dark: The Pentagon Plan to Foment Terrorism," was chosen as one of Project Censored's "Top 25 Stories of 2002/2003." His pieces have been anthologized in various political collections in the United States. In 2005, Floyd recorded a CD of his songs, Wheel of Heaven, with producer/musician Nick Kulukundis.


Related Links

US States

The volume of traffic originating from individual US States in a 30 day period. Indexes are calculated by comparing the percentage of a site's traffic from a given US state to the pattern of all Internet traffic measured by Quantcast - e.g, an index of 500 indicates that the site gets five times as much of its traffic from the given US state than the average Internet site.

state Graph
State Uniques (Cookies) Uniques % Uniques Index Impressions % Impressions Index
California 471 12.99 75 14.95 104
New York 308 8.49 135 11.27 152
Virginia 277 7.64 187 4.72 167
Florida 198 5.46 87 3.41 50
Texas 142 3.92 55 3.45 45
Illinois 140 3.86 77 3.76 84
Massachusetts 133 3.67 151 3.83 150
Pennsylvania 133 3.67 72 3.39 75
Oregon 107 2.95 209 3.85 285
Michigan 102 2.81 94 2.89 91
Ohio 95 2.62 61 2.47 62
New Jersey 95 2.62 70 3.39 95
Unknown 90 2.48 45 3.41 175
Washington 87 2.40 72 3.53 130
Maryland 77 2.12 104 1.71 76
Wisconsin 71 1.96 103 1.47 76
Updated May 2013 • Next: Jun 2013

Request Access

Quantified Publishers can hide some or all of their profile data from public view. Clicking this link will send a request to the profile owner to grant you full visibility. If you are granted access you will be notified via email and a home page notification.

Access Pending

You have sent a request to this profile's owner to be able to see all hidden data on this profile. You will be notified via email when access has been granted.


Facebook Twitter LinkedIn YouTube
©2013 Quantcast Corporation

Getting Quantified

Getting Quantified means you get free, directly measured and reliable audience and traffic data for the web properties you manage. Non-Quantified sites are still listed, but the data shown is estimated.

Request Site Get Quantified

You can send a request to this publisher asking them to join the Quantcast Publisher Program. The publisher will be notified of your request via email. If and when the publisher decides to join, you will receive an email notification.

Request for Quantification Pending

You have sent a request to this site's owner to get quantified. You will be notified via email when this site becomes quantified.

People from Sites & Syndicators

These percentages usually sum greater than 100% due to overlap in site and syndicated audiences.

Reading Demographic Graphs

1. Index

This compares audience composition of the site to the entire Internet population. The higher the index number, the more concentrated a site is in a particular demographic.

As an example, if a site indexes 100 for age 18-24, that means a given visitor to it is as likely to be 18-24 as any internet user chosen at random. An index of 200 means the visitor is twice as likely to be 18-24, 50 means half as likely, and so on.

2. Segments are represented with icons. Segments include gender, age, household income, and education.

3. Very High Indexes (over 200) are denoted with a plus symbol.

4. Internet Average is represented by the dotted vertical line.


Reading Demographic Graphs

This compares audience composition of the site to the entire Internet population. The higher the index number, the more concentrated a site is in a particular demographic.

As an example, if a site indexes 100 for age 18-24, that means a given visitor to it is as likely to be 18-24 as any internet user chosen at random. An index of 200 means the visitor is twice as likely to be 18-24, 50 means half as likely, and so on.

1. Segment refers to the demographic composition attribute.

2. Very High Indexes (over 200) are denoted with a plus symbol.

3. Internet Average is represented by the dotted vertical line.

4. Expand the data to see the numbers which make up the index calculation.

The expanded view shows the percentage composition, the Internet average and the multiple.

1. A Colored Bar indicates that a segment exceeds the Internet average, whereas a gray bar indicates the segment is below the Internet average. Internet average is represented by the dotted vertical line.

2. A Multiple is the percentage of the segment on this site divided by the average of the same segment on the entire Internet.

Example:
80% female segment on site ÷ 32% female internet average = 2.5x

This chart breaks down the site's audience for a demographic. All the segments collectively equal 100%.

As an example, if a site indexes 100 for age 18-24, that means a given visitor to it is as likely to be 18-24 as any internet user chosen at random. An index of 200 means the visitor is twice as likely to be 18-24, 50 means half as likely, and so on.

1. The Top-Indexing Segment is shown in color.


Understanding User Retention

This graph examines user retention patterns for a mobile app, which tells the story of how much of app's user base continues to use the app after installation over time.

1. The x-axis is comprised of cohorts based on when users installed the app. For example, if we look at the column "+3 Days", this means that regardless of whether users installed the app a week ago or a month ago, what ratio of these users have returned within three days after installation.

2. The gray bars indicate the average retention rate across all days the app was downloaded.

3. The yellow line represents the average retention rate by period of all apps measured by Quantcast.

4. Install grouping details can be found by clicking on the down arrow.

In the expanded view, each row shows the retention patterns based on a point in time. Click on each row to compare that cohort against the average of all users installing the app.

1. The average day row shows the general retention rate for the entire app.

2. The highlighted row shows the retention rate compared against the average. In this example, 29% of users who installed the app one month ago returned at some point within two days, compared to the average of 35%.

3. The Add Date button allows you to add custom dates to determine retention patterns.

4. The Close button collapses the details and returns you to the default view.


Understanding Visit Frequency

This chart shows the number of return visits for unique users over the last 30 days.

1. Toggle between visit patterns of Logged In and Non Logged In users. In order to enable the toggle, the publisher must designate that the app has a logged in user base. The Logged In number represents the visit frequency of users that have logged in order to use this app.

3. For example, over the last 30 days, 3,644 unique users visited 4-7 times.


xCreate a Network

Note: The name you enter here will be publicly viewable.

Create a Network

If you have multiple Websites or Mobile Apps, you can create a network to aggregate all of your data under a single property. This name will be publically viewable.